How do the first five minutes of “Shane” and “Bram Stoker’s Dracula” establish genre and narrative?

A practice of medicineal musical style is a specialised form of media commodity. It has characteristic qualities that argon familiar to auditory modalitys beca delectation the same method is use repeatedly. A music genre functions standardized a language and is apply by de servicemand producers to ensure an auditory sense feces identify and p inflammationict what is credibly to happen. Genres batch get rid ofer comforting reassurance in an uncomfortable situation the conventions atomic number 18 recognisable usually through iconography, familiar communicative, mise-en- outlook, actors and style of representation. These personates of conventions are ever more renegotiated between industry and audience.Genre can also be a way of working through master(prenominal) myths and fear by the use of repetition, variation and colonisation and can be thought of as tidying up the mess of life.Narrative involves a basic structure ( findning, middle and end) and a basic decisi on on the genre of story being told. It can imply the use of various codes to create or to reveal a character, to generate suspense, to provide setting and to further the plot.Through narrative we reach aware of the fact that each genre contains certain common elements barely have different characteristics. They might be told in different ways, styles, or from different items of view. It is important to k at a time and understand the difference between narrative and story. A story is a sequence of events known correctly as the plot and narrative is the way in which those events are put together so they can be presented to an audience. Narratives involve the followers Technical codes, verbal codes, Symbolic codes, Structure, Characters and conflict.Twentieth Century theorist Claude Levi Strauss suggested that all narratives had to be goaded forward by conflict that was ca utilize by a series of debate forces. He called this the theory of Binary opposition, and it is used to des cribe how each briny force in a narrative has its equal and opposite. Some examples of these fence forces are as follows good/evil, light/dark, right/wrong and penury/wealth. He believed that if this strategy was used, a balance or resolution could be fulfilld. Narratives, in short, have to be ab come erupt change, disturbance and disorder.Commonly narratives bequeath feature the following structure Establishing a job, Elaboration of the problem and resolution of the problem. The nature of the problem and how it give be resolved depends on the genre or form of the narrative, whether it involves solving the mystery, punishing the wrongdoer or obtaining the desire object or person.This brings me to the curtain raising sequence, which can be the most important moment in a occupy. This is because they are the jump images the audience sees when the lights go down. These quick segments form a contract outlining the filmmakers intentions and setting up the expectations of those tranceing.The beginning sequence can be the most action-packed part of a film it creates suspense and gets the audience asking questions. This is what the director aims to achieve, by getting the audience to unconsciously ask questions he has gained their attention for the remainder of the film.This can also be a chance to give the audience a sampler of whats to come by introducing characters and setting up themes. The audience will now be aware of the genre they are going to watch.The Hesperian genre is widely popular with audiences near the world simply because its an easy genre to recognise, we know that westerns are put on. They are set in west the States and are centred on a particular period of American history, the eld between 1865 and 1890.The Great Train Robbery is a 1903 Western film. The film is only ten minutes colossal, besides is a high focalise in filmmaking and is considered the first American western to tell a fictional story. The film used a number of inn ovative techniques, these included latitude editing, photographic camera movement and location shooting. The film also employed the first pan shots almost e real shot was a static considerable shot confining the action to the perspective of the camera at shopping mall level.The plot was inspired by a true event that occurred on August 29, 1900, when four members of George Leroy Parkers Hole in the Wall gang halted the No. 3 train on the Union Pacific Railroad tracks toward Table Rock, Wyoming. The bandits force the conductor to uncouple the passenger cars from the rest of the train and consequently blew up the safe in the mail car to escape with about $5,000 in cash. This can be related back to the western genre because it includes the baddie hero and the general setting you would expect to see a Western film in it is relevant because it tells a fictional story this is what Westerns should do. enjoin by George Stevens the film Shane was made in 1953, the idea for the film was interpreted from a novel written by Jack Schaefer. Jack Schaefer was an American journalist, whose best-known novel Shane (1949) has been considered the ultimate achievement in creating a mythological western hero with a shady past.The story followed the pattern of a classical Greek tragedy, in which there is no escape from fate. As a writer Schaefer made his breakthrough with Shane (1949), a tale of a gunmans involvement with a homesteading family in Wyoming. Schaefer had never been west of Cleveland, but his imaginativeness of the West was so clear-cut, that his novel Shane was awarded the best western novel ever written in 1985.Alan Ladd who was born in Hot Springs, Arkansas plays Shane. opposite main characters include Jean Arthur who plays Marion Starett, Van Heflin who plays Joe Starett and Brandon De Wilde who plays Joey.The titles are old fashioned and are in traditional techni colour. George Stevens a production of Shane appears on separate shortly followed by Shane in a deep red/ orange tree colour. This is typical of the period of 1953 in which these orange colours were fashionable. The music used to accompany these opening titles is strong with a merry feeling.The opening camera shots reinforce what we have just seen and set up the genre. The first issue we are drawn to is the bouffant open spaces, we are looking out across the plain, deserted area, in the background there are great mountains, these are surrounded by low lying clouds. The camera then sweeps across this is when we see more of the area. We become aware of a rat in the water surrounded by bushes. We get a glance of small boy who is almost completely hidden by bushes. He is holding a rifle and aiming for the stag. He spots a man on horse back in the distance and looks startled. The music turns from joyful to loud and deep this creates a sense of anticipation and this is what the producer aims to achieve when he accompanies a film by different moods of music.We are already as king questions, who is the man on the horse? , Who is the boy?It then cuts to a man chopping wood with an axe we can hear a adult female singing and catch a glimpse of her. She has blonde hair and a soft singing voice shes wearing a white apparel this makes her look pure and untouched. She is in the kitchen preparing a meal for her husband in generic realism we would expect to find a woman in the kitchen and doing the housework while her husband goes out to work.The man on ahorseback who we become aware is Shane is wearing a cowboy hat, cream bloom and beige trousers with brown tassels hanging from them. He is on horseback and around his waist is a belt with miniature horse cartwheels on. The music becomes more mysterious and the scene that follows is full of anticipation as Shane and Joe exchange a few words. Shane produces a gun and the music hits its highest point as the problem is resolved the gun is put away and a lighter friendlier music appears.So far we have the stereoty pical family a small boy, a mum in the kitchen preparing food for her family and a dad chopping wood for his family. wherefore theres Shane who fills our ideology. He comes in to disturb this peaceful family but turns out non to be a threat. So what are we missing? The villains. These come in the form of the Ryker brothers.The Rykers and their posse of gun-toting ruffians ride by and threaten to run Starrett off his farm. The Rykers, are ruthless businessmen, and have been trying to rid the valley of homesteaders so they can expand their ranch. After witnessing this brutality, Shane decides to stay on and help out at the ranch. Provoked by Rykers boys, Shane joins the homesteaders fight, facing off with a engage gunslinger to make the valley safe for civilized folks standardized the Starretts. While helping Shane falls in love with the wife but he keeps his distance out of respect for the husband.This brings me to Bram Stokers genus Dracula. This is a film, which is true to the captain text quite a than the hammer house style the belief in Christianity is under question and the film is centred on Draculas relationship with life and after(prenominal) life.A narrator introduces Dracula this strange and mysterious figure employs us to sympathise with him. We see him as a person whose anguish has bear on his bond with eternity.Dracula represents an apparition of what may happen to us if we happened to be in the same situation as him.In the opening scene the background is drenched in red and we see the battle of both opposing forces, good and evil. There are close shots of the building and the red skies in the heavens above gives it a threatening look. The titles do non appear until after the opening sequence, this is because Coppola wants to give the responsibility to the audience as to why they believe Dracula is a horror villain rather then a monster.The music is slow and deep in fortify to create atmosphere and suspense it changes in volume when peop le begin to talk. There is never silence, the constant tapping in the background is almost like screaming.When we finally meet Dracula he is covered in orange armour, the rigid lines on his armour flow horizontally and give him a look of strength. He has long brown hair and a large moustache. He looks angry and screams before he drinks the blood from the goblet. Elizabetta couldnt be more different, she also has brown hair but is wearing a long flowing dress, her pale white skin against the red of the blood is a strong contrast, she looks innocent. The gold surrounding them gives the place a look of importance, which can also be reflected into the clothing.The story continues with Dracula believing he is an instrument of godPraise god I am victoriousAs things progress his wife receives a false message of his death this results in her taking her own life. On hearing about this Dracula is heartbreak stricken he turns against god because she is in hell and stabs the cross, blood fills the way of life and Dracula drinks the blood in a parody of holy communion.This opening scene addresses the audiences knowledge of the use of conventions. Coppola knows that the audience will have encountered Dracula in many other forms before and plays on this.The story is told from Draculas point of view. Similar to Shane there are Binary opposites and the themes of the genre are evident through mise-en-scene and iconography. There are candles and crucifixes, tall windows and dark colours. Again the audience are asking questions even though they will have had slightly knowledge of Dracula before.In conclusion we now know that the break up of an opening sequence is to allow the audience to establish the genre and set the foundations for the remainder of the film. We know that to do this you can use generic texts this will allow the audience to predict what is likely to happen, although this may seem dumb it actually does have some advantages it allows the audience to feel com fortable with the following events that will take place. I have found that generic texts are easier to watch because of this.The opening of both texts were slightly different, in Dracula the titles were not shown until the end of the opening sequence I found this more kindle because it gives the audience more of a chance to question what is going on. They were very similar in the ways they established themselves as generic texts though. They used similar techniques but fitted it to a different genre. Both films were enjoyable to watch because they followed a plan and had binary opposition.